A couple more pictures from the Nikon FM with Nikkor 50mm f/1.4
This time using Ilford Delta 100 film, developed in Ilfosol 3 for 5 minutes at 20°C
Fairly rare for snow in Vancouver to stick around very long.
Trees really are the lungs of the earth.
The negative I developed looked like lightning. I like this one.
I’m a bit slow to shoot a whole roll of 36 and develop it so it feels out of season while currently enjoying Spring.
On a few photowalks around Kitsilano in Vancouver BC with my first roll of Fomapan Classic 100.
All pictures shot with older, non-AI Nikkor 50mm f/1.4 lens.
Developed in Ilford Ilfosol3 for 5 minutes at 20°C and scanned with a cheap film scanner. Color has been removed and some levels adjusted slightly.
Here at this impressive 4.6m (15ft) art installation sculpture by Alan Chung Hung (built in 1980) I walked around appreciating how the profile changes as you view it from different angles. The rusting weathered steel boasts some great textures and patina.
Without a battery for the FM I metered using a phone app and shot handheld usually 1/125
The Museum of Vancouver was rehoused in this funky building in 1968. As I walked up the street I noticed a stormy backdrop over the city with light getting through to the building. The ramp curves help frame the picture a bit as well I think.
Vancouver really does have great looking bridges. Down at the public boat launch you can look down False Creek. Maybe too washed out, I may like the landscape version of this better but this one has some tension.
This Canadian Forces LAV III or Light Infantry Vehicle sits at busy Burrard Street in front of the Seaforth Armoury. With a 50mm lens I needed to back up to the curb with a sidewalk and bike path in between. Head on a swivel.
You can really make out some of the soft grain in the white building behind.
The lighting and perhaps a cheap scanner make that front tire look Photoshopped but it’s not.
I liked this shot even though there appears to be glare and light leaks. At the edge of the public boat launch dock in frosty temperatures I remember feeling a bit nervous and perhaps gripping the camera a bit firmer than normal.
Took me a while to both get through a roll of 36 and also to narrow down to just five pictures. Happy with the results and will definitely use Fomapan 100 again.
With a recent blast of winter I noticed a few hummingbirds already here so I put up the feeder.
Not 30 seconds later, this fella showed up.
Generative fill in Adobe Photoshop (beta) is a pretty amazing tool to extend images. Background artists, web designers, print layout artists, or anybody who deals with incorrect aspect ratios or odd image dimentions will be thrilled by the output.
The image below represents a photo I took near Iceberg Lake in Whistler BC. Portrait aspect on 1920×1080 canvas.
To extend the image CTRL+SELECT image.
Select Inverse – COMMAND+SHIFT+I
SELECT > MODIFY > EXPAND – 3px
EDIT > Generative Fill…. (No Prompts)
En Voila! a landscape that does not exists.
Notice how it recognizes the light source, maintains correct shadows, tones and palette.
Two thirds of the above image was created by AI/ML yet the middle remains completely untouched and my creation. Does this mean the image was “generated by AI”? “Enhanced by AI”? “Extended by AI”?
Or just fake?
Prompts allow for text based editing and generation with mixed results. Note that prompts will only add to the selection. In this case outside of the main image here.
Ultimately however it finally gets classified, anyone looking to extend beyond an image will be happily surprised with the results of Generative Fill.
“Degenerate Phil” on the other hand… t
Text prompt “Degenerate Phil” creates some nightmare fuel.
Nighty-night.
Generative AI is neither good nor evil. It’s up to you, the human in the loop, to decide.
